Cuando las empresas de moda se transformanen empresas de comunicación: los casos de Benetton,Net-a-Porter y Loewe
Contenido principal del artículo
Resumen
Detalles del artículo
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-CompartirIgual 4.0.
Authorship: The list of authors signing must include only those people who have contributed intellectually to the development of the work. Collaboration in the collection of data is not, by itself, a sufficient criterion of authorship. "Universitas" declines any responsibility for possible conflicts arising from the authorship of the works that are published.Copyright: The Salesian Polytechnic University preserves the copyrights of the published articles, and favors and allows their reuse under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Ecuador license. They may be copied, used, disseminated, transmitted and publicly displayed, provided that: i) the authorship and the original source of their publication (journal, editorial and work URL) are cited; (Ii) are not used for commercial purposes; Iii) mention the existence and specifications of this license.
Referencias
Arduini, S. y Paoloni, P. (2020). The IT strategy in the luxury sector: The case of a fashion company. In Gender Studies, Entrepreneurship and Human Capital: 5th IPAZIA Workshop on Gender Issues 2019 (pp. 211-226). Springer International Publishing.
Asnawati, A., Nadir, M., Wardhani, W. y Setini, M. (2022). The effects of perceived ease of use, electronic word of mouth and content marketing on purchase decision. International Journal of Data and Network Science, 6(1), 81-90. https://doi.org/10.5267/j.ijdns.2021.10.001
Barela, M. J. (2003). Executive insights: United colors of Benetton. From sweaters to success: An examination of the triumphs and controversies of a multinational clothing company. Journal of International Marketing, 11(4), 113-128. https://doi.org/10.1509/jimk.11.4.113.20152
Berta, G. y Onida, F. (2011). Old and new Italian multinational firms. Bank of Italy Economic History Working Paper, (15). https://bit.ly/3Wy7uN6
Bueso, R. y Pedroni, M. (2015). Mediatización de la moda. Moda en el entorno digital. En Sádaba, T. (ed.), Moda en el entorno digital (pp. 123-140). Eunsa.
Camuffo, A., Romano, P. y Vinelli, A. (2002). Benetton Group: The evolution of a network to face global competition. Cases in Operations Management, 179. https://bit.ly/4frIjo3
Castillan, L., Chheang, C., Denoux, C., Ferrenbach, C., Gérard, C., Hua, E., Van Holt, J. y Maniere, I. C. (2017). Online luxury: The code breakers of a traditional sector. Procedia computer science, 122, 579-586. https://doi.org/10.1016/j.procs.2017.11.409
Castillo Abdul, B., Pérez Escoda, A. y Núñez Barriopedro, E. (2022). Promoting social media engagement via branded content communication: A fashion brands study on Instagram. Media and Communication, 10(1), 185-197. https://doi.org/10.17645/mac.v10i1.4728
Cenizo, C. (2022). Brand narrative in fashion films of luxury fashion brands during the COVID-19 pandemic: multivariate analysis of their communicative potential. Hipertext. net: Revista Académica sobre Documentación Digital y Comunicación Interactiva, (24), 4. https://doi.org/10.31009/hipertext.net.2022.i24.06
D Arpizio, C. y Levato, F. (2017). The millennial state of mind. Bain Report. Accessed July, 27, 2024.
Díaz Soloaga, P. y García Guerrero, L. (2016). Fashion films as a new communication format to build fashion brands. Communication & Society, 29(2), 45-61. https://doi.org/10.15581/003.29.35923
Foremski, T. (2009). Welcome.When every company is a media company... https://bit.ly/3LOCR0Q
Frankel, D. (2006). The Devil wears Prada.
Fulco, E. (2019). L'impresa storica come fabbrica di cultura: tra Heritage e contaminazioni. Economia della Cultura, 29(1), 15-28. https://doi.org/10.1446/93074
Galloway, S. (2017). The Four: The Hidden DNA of Amazon, Apple, Facebook and Google. Random House.
Geva, B. (2018) Banking in the Digital Age. Who is afraid of payment disintermediation? European Banking Institute Working Paper Series, 23. http://dx.doi.org/10.2139/ssrn.3153760
Gielens, K. y Steenkamp, J. B. E. (2019). Branding in the era of digital (dis) intermediation. International Journal of Research in Marketing, 36(3), 367-384. https://doi.org/10.1016/j.ijresmar.2019.01.005
Godey, B., Manthiou, A., Pederzoli, D., Rokka, J., Aiello, G., Donvito, R. y Singh, R. (2016). Social media marketing efforts of luxury brands: Influence on brand equity and consumer behavior. Journal of business research 69(12), 5833-5841. https://doi.org/10.1016/j.jbusres.2016.04.181
Gómez Briceño, L. y Durán Manso, V. (2021). Los fashion films como modelo de branded content. Estudio de Inside Chanel (2012-2019). Estudios sobre el mensaje periodístico, 27(4), 1111-1123. https://dx.doi.org/10.5209/esmp.70453
Grau, S., Kleiser, S. y Bright, L. (2019). Exploring social media addiction among student Millennials. Qualitative Market Research: An International Journal, 22(2), 200-216. https://doi.org/10.1108/QMR-02-2017-0058
Grupo Benetton. Archivos oficiales: campañas históricas. https://bit.ly/4ca1VKo
Hubbard, R. C. (1993). Shock advertising: the Benetton case. Studies in Popular Culture, 16(1), 39-51.
Hudson, S. y Hudson, D. (2006). Branded entertainment: a new advertising technique or product placement in disguise? Journal of Marketing Management, 22(5-6), 489-504. https://doi.org/10.1362/026725706777978703
Iannilli, V. M. y Linfante, V. (2022). Exploring disrupting scenarios in the fashion retail and communication paradigms. Luxury Studies: The In Pursuit of Luxury Journal, 1(1), 45-65. https://doi.org/10.1386/ipol_00005_1
Jenkins, H. (2006). Convergence culture: where old and new media collide. New York University Press.
Kalbaska, N., Sádaba, T. y Cantoni, L. (2018). Fashion communication: Between tradition and digital transformation. Studies in Communication Sciences, 18(2), 269-285 https://doi.org/10.24434/j.scoms.2018.02.005
Kashif, M., Korkmaz Devrani, T., Rehman, A. y Samad, S. (2021). Love is not blind: investigating a love-hate transition among luxury fashion brand consumers. Journal of Fashion Marketing and Management: An International Journal, 25(4), 625-643. https://doi.org/10.1108/JFMM-04-2020-0058
Katz, E. (1988). Disintermediation: Cutting out the middleman. Intermedia, 16(2), 30-31. https://bit.ly/4dpO1oA
King, E. (2016). Every single aspect had to be changed. Case Study. Loewe x M/M París. System Magazine. Spring-Summer 2016 (7). https://bit.ly/4frK1Wt
Lyst index 2023 (Lyst Index, Q2 2023). https://bit.ly/3WulAio
Mosca, F. y Chiaudano, V. (2020). Digital channels and distribution in luxury market. Marche et organisations, (1), 147-163. https://doi: 10.3917/maorg.037.0147
Muljadi, H., Angjaya, S. y Deborah, J. (2022). Benetton’s (In) Equality: A Semiotic Reading. Paradigma: Jurnal Kajian Budaya, 12(1), 1. https://doi.org/10.17510/paradigma.v12i1.572
Muntinga, D. G., Moorman, M. y Smit, E. G. (2011). Introducing COBRAs: Exploring motivations for brand-related social media use. International Journal of advertising, 30(1), 13-46. https://doi.org/10.2501/IJA-30-1-013-046
Noris, A. y Cantoni, L. (2021). Intercultural Crisis Communication on Social Media: A Case from Fashion. In International Conference on Fashion communication: between tradition and future digital developments (pp. 251-264). Cham: Springer International Publishing.
Noris, A. y Cantoni, L. (2022). Digital Fashion Communication: n (Inter) cultural Perspective. Brill.
Ozturk, R. G. (2014). The integration of entertainment and advertising: Advertainment. In Handbook of Research on the Impact of Culture and Society on the Entertainment Industry (pp. 440-460). IGI Global.
Pedroni, M. (2023). Two decades of fashion blogging and influencing: A critical overview. Fashion Theory, 27(2), 237-268. https://doi.org/10.1080/1362704X.2021.2017213
Pérez Curiel, C., Luque Ortiz, S. y Villena, E. (2017). Influencia de las revistas especializadas en el consumo de moda. Estudio de casos: Smoda, Elle y Harper´s Bazaar. Ámbitos. Revista Internacional de Comunicación, 39. https://bit.ly/3YpHHsY
Perreault, G. y Hanusch, F. (2024). Field insurgency in lifestyle journalism: How lifestyle journalists marginalize Instagram influencers and protect their autonomy. New Media & Society, 26(7), 3767-3785. https://doi.org/10.1177/14614448221104233
Priya, A. (2020). Case study methodology of qualitative research: key attributes and navigating the conundrums in its application. Sociological Bulletin, 70(1), 94-110. https://doi.org/10.1177/0038022920970318
Rashid, Y., Rashid, A., Warraich, M., Sabir, S. y Waseem, A. (2019). Case study method: a step-by-step guide for business researchers. International Journal of Qualitative Methods, 18. https://doi.org/10.1177/160940691986242
Rees-Roberts, N. (2020). After fashion film: social video and brand content in the influencer economy. Journal of visual culture, 19(3), 405-421. https://doi.org/10.1177/1470412920964907
Sádaba, T. (2015). Moda en el entorno digital. Eunsa.
Sádaba, T., SanMiguel, P., López-Fidalgo, J. y Guercini, S. (2024). Not solely influencers in the communication plan: a comparative study in the fashion field. Revista Mediterránea de Comunicación, e23717-e23717. https://doi.org/10.14198/MEDCOM.23717
Sanz Marcos, P., Pérez Curiel, C. y Velasco Molpeceres, A. M. (2020). Hacia un cambio en el sector de moda y lujo. Del dominio del influencer a la marca: Gucci, Loewe y Margiela. Revista de Comunicación, 19(2), 263-284. https://doi.org/10.26441/RC19.2-2020-A15
Saulite, L. y Sceulovs, D. (2022). The impact on audience media brand choice using media brands uniqueness phenomenon. Journal of Open Innovation Technology Market and Complexity, 8(3), 128. https://doi.org/10.3390/ joitmc8030128
Schaefer, M. W. (2015). The content code: six essential strategies for igniting your content, your marketing, and your business. Schaefer.
Shirky, C. (2008). Here comes everybody: the power of organizing without organizations. Penguin Press.
Shoemaker, P. J. (2020). Gatekeeping and journalism. In Oxford Research Encyclopedia of Communication. https://doi.org/10.1093/acrefore/9780190228613.013.819
Siles, I. y Boczkowski, P. J. (2012). Making sense of the newspaper crisis: A critical assessment of existing research and an agenda for future work. New Media & Society, 14(8), 1375-1394. https://doi.org/10.1177/1461444812455148
Sugden, K. (2012). Benetton Backlash: Does controversy sell sweaters? Advertising & Society Review, 13(1). https://doi.org/10.1353/asr.2012.a477903
Torregrosa, M. y Noguera-Tajadura, M. (2015). Los fashion films como relatos audiovisuales de marca. En Sádaba (ed.) Moda en el entorno digital (pp. 173-186). Eunsa.
Torregrosa, M. y Sádaba, T. (2023). The adaptation of species in the fashion media ecosystem: the case of Vogue. Popular Communication, 21(2), 114-129. https://doi.org/10.1080/15405702.2023.2239207
Tungate, M. (2013). Fashion brands: Branding style from Armani to Zara. Kogan Page Publishers.
von Wachenfeldt, P. (2018). Communicating seduction. Luxury fashion advertisements in video campaigns. Studies in Communication Sciences, 18(2), 353-363. https://doi.org/10.24434/j.scoms.2018.02.010
Zeren, D. y Gokdagli, N. (2020). Influencer versus celebrity endorser performance on Instagram. Springer Proceedings in Business and Economics, 695-704. https://doi.org/10.1007/978-3-030-36126-6_77